When it was originally published in 1987, An Incomplete Education became a surprise bestseller. Now this instant classic has been completely updated, outfitted with a whole new arsenal of indispensable knowledge on global affairs, popular culture, economic trends, scientific principles, and modern arts. Here’s your chance to brush up on all those subjects you slept through in school, reacquaint yourself with all the facts you once knew (then promptly forgot), catc… More >>
The thing I most remember from ALL my college courses is this book. AN INCOMPLETE EDUCATION is truly a wonderful supplement to any person’s knowledge.
This book is basically an intellectual history overview with a lot of helpful charts and guides. It’s written in a very humorous tone, and it hits the humor target more often than not. If you feel that you lack knowledge, this is the book for you. It’s not in depth, but it does tell you what you SHOULD know in all areas, including history, philosophy, music, art, and even film. My personal favorite features are the Latin abbreviations and the “Words you pronounce wrong but if you pronounced them right, you’d be considered a pretentious snob” feature.
For a good time (and to increase your IQ), read this book. It’s tongue-in-cheek, but it’s a wealth of information.
Rating: 5 / 5
After giving this book to my daughter upon her graduation, I found I couldn’t resist buying another copy for myself. Whether you’re interested in a “refresher” or in a quick briefing on an academic area you never had time for–film studies, for example–or structuralist and post-structuralist criticism–you’re likely to find the field treated in this lively, fascinating, edifying volume. The authors provide definitions, canons of the essential works, profiles of major contributors to the field, and judicious evaluation of the strengths and weaknesses of each major thinker or artist. When an individual, text or movement is overrated or becoming passe, the authors are not afraid to say so. And unlike similar collections–the “Dummies” books, for example–this text is far more than an accumulation of trivia. The authors manage to provide narrative continuity to each academic area and, above all, a sense of perspective. Since their judgements strike me as on target in the areas with which I’m familiar, I’m inclined to trust them in those disciplines I don’t know much about. The only reason not to pick up the book right away is the possibility that a new edition is just around the corner.
Rating: 5 / 5
I first ran across this book on a friend’s coffee table. After thumbing through it, I knew I had to have a copy of my own. It is witty, humorous and surprisingly accurate. The authors intentionally don’t take the subject matter seriously in deference to those legions of name droppers and intellectuals who do.
Each chapter covers a specific subject area (”Art history”, “Film”, “Music”, etc.) which is further broken down into essential “need-to-know” sections like “A Trio of Geographical Clarifications for a Nation that, Frankly Would Rather Skateboard” or “A Night at the Opera: manners and morals for the MTV Generation.” The writing itself is similarly tongue-in-cheek. In a section titled “How to Tell Keats from Shelly” the authors write, “Keats is the one you’d play racquetball with. He wasn’t happy, exactly, but he was better adjusted and less the outcast then Shelly and it shows.”
I certainly got a kick out of reading it. If you are searching for a good laugh that is also enlightening, (and will fill the holes in your college education), this is the book for you. But PLEASE don’t take this book too seriously.
Rating: 4 / 5
This book was given to me as a gift upon completion of my MBA to “round out” my education. I read it cover to cover and enjoyed it very much (I am ordering a new copy because a friend “borrowed” it). I had great fun with the witty commentary. In fact, at times, I thought that absurd analogies actually helped explain esoteric and abstract concepts in a more simple and understandable manner (maybe my philosophy prof should consider these methods). I understand the criticism of many people who claim that the book is a shallow and “incomplete” coverage of the topics – it absolutely is. Reading the section on opera by no means makes one an expert or replaces the experience, nor does it intend to. Instead, I think it either gives a novice a fun introduction or presents the expert with a funny perspective on what they already know. So, having been to both Wagner and Mozart operas, I enjoyed reading how they could contrast the two in layman’s terms (a great chapter, I might add). Simply put: If you are capable of not taking it too seriously, you’ll love this book. If not, don’t take yourself too seriously, and then buy it!
Rating: 4 / 5
The people here who gave this book a negative review clearly just didn’t get it. This book is not intended as an education itself (hence the title), but as an introduction and overview that will hopefully send you off to learn more. But the best thing about this book is its wit. Saying that the authors should have dispensed with the comments and gotten down to information misses the whole point! I love this book, and recommend it to all my friends.
Rating: 5 / 5